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This poem that is repeated three times is based uan anonymous source. Wikipedia: Consubstantial is an adjective used in Latin Christian christology, coined by Tertullian in Against Hermogenes 44, used to translate the Greek term homoousios. "Consubstantial" describes the relationship among the Divine persons of the Christian Trinity and connotes that God the Father, God the Son, and God the Holy Spirit are "of one being" in that the Son is "generated" ("born" or "begotten") "before all ages" or "eternally" of the Father's own being, from which the Spirit also eternally "proceeds." -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Dryden (1631-1700) -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon William Wordsworth (1770-1850), "Intimations of Immortality," Stanza IV; and Gerard Manley Hopkins (1844-1889), "The Wreck of the Deutschland," Stanza XXXI. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based uponElizabeth Barrett Browning (1806-1861), Sonnets From the Portuguese, 43. -- Source of annotation: Marvin or Ruth Sackner.

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.This poem is based upon John Skelton (1406?-1529), "Prayer to the Father of Heaven." The poem consists of normal typed letters and just above it a retyping with faint letters, presumably from a deliberate use of a faded typewriter ribbon. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon John Bunyan, "Of the Going Down of the Sun" Shakespeare, "Full Fantom Five" -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon"For the nightmare." 2093 Bodleian 15353 Early 15th Century. Reprinted in Luria and Hoffman, Middle English Lyrics, as No.116, with glossary. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon "Sources for the images on pages 20-22." Published in Rampike (1985). -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon "Sources on pages 18-19." -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Robert Browning (1812-1889), "Pippas's Song." -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Robert Herrick (1591-1674), "Cherry Ripe." Poem set in teh prose of a tree handbook's entry on cherry trees. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Marvell "An Epitaph Upon" -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon John Clare, Sonnet -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon William Wordsworth (1770-1850), "Mutability." William Strode (1602-1645), "On Chloris Walking in the Snow." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Weiss' book, "Visual Voices: The Poem as a Print Object," 1994 consists of poems appropriated from ancient and classic poems that have been rearranged or altered in their presentation as typed artpoe to convey new meanings mainly based mainly on concrete poetic or conceptual text expressions. He provided an explanation for each of 71 poems published in the book as well as 28 unpublished poems in the typed manuscript. He classified his styles of typed artpoe with headings such as zipperpoem, caressed and overloved poem, telegram poem, etc. He altered poems from such stalwarts as Andrew Marvell, William Wordsworth, Robert Browning , Alfred Tennyson, and John Keats among others. VISUAL POETRY BY IRVING WEISS Team Sonnet: 14 Lines by 14 Different Canonical Poets from Visual Voices: The Poem As a Print Object Appease this virtuous enemy of man (MARVELL) The way which thou so well hast learn'd below, (DRYDEN) And dwell, as in my center, as I can, (JONSON) As into air the purer...

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These poems constitute those that were not used for the published book of Visual Voices. They have the same format as the published version, an introductory page (listed as laser generated, typed in media description) that provides an explanation and designation followed by Weiss' typewritten rearrangement presentation of the poem taken from classics. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Poetry anthology index excerpts "announcing" their id entification of the book's contents. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Keats, Sonnet: "How many bards gild the lapses of time" -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Anonymous, "Western wind." The meeting of visual and voice. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is based upon Francesco Berni (1497?-1535), "Passeri e Beccafichi," translated by Lorna de' Lucchi. -- Source of annotation: Marvin or Ruth Sackner.